The Exorcist Believer – is a 2023 American supernatural horror film directed by David Gordon Green and written by Peter Sattler and Green, from a story by Scott Teems and Danny McBride. It is the first film in a planned trilogy, and serves as a direct sequel to the 1973 film The Exorcist. The film stars Ellen Burstyn, Leslie Odom Jr., Ann Dowd, Jennifer Nettles, and Norbert Leo Butz.
Chris MacNeil (Burstyn) is lured back into the world of demonic possession in the film when her daughter Angela and her friend Katherine (Lidya Jewett) are possessed by a demon. MacNeil must seek the assistance of Father Damien Karras (Odom Jr.), a discredited priest, in exorcising the demon.
The Exorcist: Believer is currently in theaters, and critics have given it mixed reviews. Some reviews commended the picture for its performances, atmosphere, and spectacular effects, while others condemned it for its pacing, narrative, and lack of creativity.
The Exorcist: Deceiver, the second film in the trilogy, is set to be released in 2025. The Exorcist: Possessed, the third feature, is currently in production.
The Exorcist Believer does not have a post-credits scene.
This comes as a surprise given how many modern horror films feature post-credits scenes to tease sequels or tie up loose ends. Director David Gordon Green, on the other hand, has stated that he intended the picture to have a clear finale and that he did not want any ambiguity or unresolved questions.
Fans have reacted differently to this choice. Some fans are sad that they didn’t get to witness what happened to the characters after the film ended, while others embrace the film’s fulfilling ending.
Green might have chosen not to include a post-credits sequence for a variety of reasons. One possibility is that he didn’t think he needed one. The conclusion of the film is already pretty conclusive, and there are no significant loose ends that need to be wrapped up.
Another explanation is that Green did not want to ruin any possible sequels. Because The Exorcist: Believer is the first in a planned trilogy, Green may have chosen to leave things open-ended so that he may tell his story more freely in future films.
Whatever the reason, Green’s decision to forgo a post-credits scene is a refreshing one. It shows that he is confident in his film’s ability to stand on its own, without the need for any additional scenes or teases.
The absence of a post-credits scene, in my opinion, is a positive. It demonstrates Green’s desire to deliver a comprehensive and fulfilling story rather than set up future features. It also permits the audience to leave the theater with a sense of closure rather than wondering what will happen next.
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